Sulphur Bluff, Texas, USA

11.15.2010

The Bear

Well, the firing went off last night about 9pm and I am hoping for good results! The pots from all the effort, concentration, and wanderlust that went into the kiln hinge on the final firing. It seems to me that a lot of people who work with clay like to have complete control of every aspect of what they make. I am no exception. However, when you fire, a kiln unfailingly takes on a personality of its own.

Unloading a kiln is similar to meeting a new and interesting person. There is a sense of familiarity, intrigue, and newness. Best analogy I've got for today.

Most importantly, this weekend is The Marshall Handmade Market! Come, chat, visit, and buy some of my wares, books, drawings, and other things.



11.08.2010

First Bisque


































Today was a flagship day! I loaded and started my first bisque in the new studio in preparation for the Marshall Handmade Market. My making has stopped for the next glaze firing, except for a few flasks I need to finish up tonight and get dry for the next bisque. Two bisques should be a good load for The Bear.

Wednesday I go to work for Michael as he is gearing up for a Thanksgiving firing with fellow Snow Creek potter, Courtney Martin in her wood kiln.

Then Saturday I fire The Bear.

Love and Peacefrogs,
John


10.28.2010

multi-media experience

I find myself working on new projects and trying new things. Watercolors, acrylics, new collage-type stuff, some paste paper for new pamphlet books. All of these new things are an idea I have to compliment my pottery display at the Marshall Handmade Market on November 20th.

10.03.2010

Making

There is a chill in the East Tennessee air, the season is changing and the ground has been wet for several days. The only good thing about the temperature getting colder is that it indicates football season. I am making a lot of pottery and starting some new drawings and paintings for a (flat, 2D) show I have scheduled at the Millennium Center here in Johnson City come January (more to come on that).

I heard back from a couple of juried shows I entered recently. I got a piece in at Cape Fear Gallery in Fayetteville, NC - and I got 4 small bowls in a show in Bemidji, MN. YEAH!

In progress new work:



9.25.2010

The Shop of John Simmons

This is an excerpt from an article I found in a Memphis Magazine describing downtown Memphis in the 60's.


First to come was a collection of retailers, moving into storefronts along Madison that just a year before had housed a bicycle shop, insurance agencies, a drug store, and other ma-and-pa businesses. The first — and most memorable — shops in Overton Square were operated by John Simmons, a talented young man with a keen eye for what was new and avant-garde. "He was kind of 'in' with what was happening all over the city," says Saig.

"I had shops in Laurelwood and on Union Avenue," says Simmons, "and Ben Woodson called me and asked if I would move my Union Avenue shop to Overton Square. I said no, but if you will give me five leases on my terms, I will open five shops, and that's what I did."

Simmons brought to the Square such places as Sycamore (antiques and fine gifts), Forty Carrots (kitchen gadgets and a cooking school run by Frances Averitt), The Potting Shed (hand-crafted pottery), Little John's (cards and candles and "trendy things"), and Swings (contemporary furnishings, described by a reporter as a place "where you can outmod Joe Namath").

Other merchants jumped aboard. "Right after it came out in the paper that we had signed five leases," says Simmons, "every other space was leased." Eventually, almost 40 different businesses would cram into Overton Square.

"John Simmons was one of the first people in town to have art shows," says Arthur. "He was the first to have shows for Mary Sims and Sophie Coors. And everybody would go crazy going to those, because back then young people had never really thought about buying art."


That John Simmons seems like an alright fella.